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Casanova's Chinese Restaurant - Anthony Powell [60]

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’s, invited probably through acquaintance with Mrs Foxe in a social way rather than because of occasional professional contacts between Moreland and himself. This distinguished person was conversing a little loudly and self-consciously, with a great deal of gesticulation, to show there was no question of condescension from himself towards his less successful colleagues. Near this knot of musicians stood Chandler’s old friend, Max Pilgrim, trying to get a word or two out of Rupert Wise, another of Chandler’s friends – indeed, a great admiration of Chandler’s – a male dancer known for his strict morals and lack of small talk. Wise’s engagement to an equally respectable female member of the corps de ballet had recently been announced. Mrs Foxe had promised to give them a refrigerator as a wedding present.

‘Not colder than Rupe’s heart,’ Chandler had commented. ‘It was my suggestion. He may have a profile like Apollo, but he’s got a mind like Hampstead Garden Suburb.’

The Huntercombes, as well as the celebrated conductor, were certainly contributed to the party by Mrs Foxe rather than by Moreland. Once – as I knew from remarks let fall by Stringham in the past – Mrs Foxe would have regarded Lady Huntercombe as dreadfully ‘slow’, and laughed at her clothes, which were usually more dramatic than fashionable. However, now that Mrs Foxe’s energies were so largely directed towards seeking ways of benefiting Chandler and his friends, Lord Huntercombe’s many activities in the art world had to be taken into account. In his capacity as trustee of more than one public gallery, Lord Huntercombe was, it was true, concerned with pictures rather than with music or the theatre. At the same time, his well recognised abilities in his own field had brought him a seat on several committees connected with other branches of the arts or activities of a generally ‘cultural’ sort. Lord Huntercombe, small and immensely neat, was indeed a man to be reckoned with. He had caught napping one of the best known Bond Street dealers in the matter of a Virgin and Child by Benozzo Gozzoli (acquired from the gallery as the work of a lesser master, later resoundingly identified), also so nicely chosen the moment to dispose of his father’s collection of English pastels that he obtained nearly twice their market value.

Lady Huntercombe, as usual majestically dressed in a black velvet gown, wore a black ribbon round her neck clipped with an elaborate ornament in diamonds. She took a keen interest in music, more so than her husband, who liked to be able himself to excel in his own spheres of patronage, and was not musically inclined. I remembered Lady Huntercombe expressing her disappointment after Stringham’s wedding at the manner in which the choir had sung the anthem. ‘Dreadfully sharp,’ I heard her say at the reception. ‘It set my teeth on edge.’ Now she was talking to Matilda, to the accompaniment of animated and delighted shakings of her forefinger, no doubt indicative of some special pleasure she had taken in Moreland’s symphony; apparently at the same time trying to persuade Matilda – who seemed disposed to resist these advances – to accept some invitation or other similar commitment.

Moving towards the inner room, I observed that Chandler’s small bronze of Truth Unveiled by Time, long ago bought from the Caledonian Market and rescued from Mr Deacon’s shop after his death, had now come finally to rest on the console table under the Romney. Chandler himself was standing beside the table, stirring a glass of champagne with a gold swizzle-stick borrowed from Commander Foxe. Although Chandler might hold Mrs Foxe under his sway, she, on her part, had in some degree tamed him too. His demeanour had been modified by prolonged association with her. He was no longer quite the gamin of the Mortimer.

‘Hullo, my dear,’ he said. ‘Fizz always gives me terrible hiccups, unless I take the bubbles away. You know Buster, of course.’

Commander Foxe, greyer now, a shade bulkier than when I had last seen him, was at the same time, if possible, more dignified as a result of these outward marks of maturity. He retained in his dress that utter perfection of turn-out that stopped so brilliantly short of seeming no more than the trappings of a tailor

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