Brideshead Revisited - Evelyn Waugh [52]
Scraps of conversation come back to me with the memory of her room. I remember her saying: 'When I was a girl we were comparatively poor, but still richer than most of the world, and when I married I became very rich. It used to worry me, and I thought it wrong to have so many beautiful things when others had nothing. Now I realize that it is possible for the rich to sin by coveting the privileges of the poor. The poor have always been the favourites of God and his saints, but I believe that it is one of the special achievements of Grace to sanctify the whole of life, riches included. Wealth in pagan Rome was necessarily something cruel; it's not any more.'
I said something about a camel and the eye of a needle and she rose happily to the point.
'But of course,' she said, 'it's very unexpected for a camel to go through the eye of a needle, but the gospel is simply a catalogue of unexpected things. It's not to be expected that an ox and an ass should worship at the crib. Animals are always doing the oddest things in the lives of the saints. It's all part of the poetry, the Alice-in-Wonderland side, of religion.'
But I was as untouched by her faith as I was by her charm: or, rather, I was touched by both alike. I had no mind then for anything except Sebastian, and I saw him already as being threatened, though I did not yet know how black was the threat. His constant, despairing prayer was to be let alone. By the blue waters and rustling palms of his own mind he was happy and harmless as a Polynesian; only when the big ship dropped anchor beyond the coral reef, and the cutter beached in the lagoon, and, up the slope that had never known the print of a boot, there trod the grim invasion of trader, administrator, missionary, and tourist—only then was it time to disinter the archaic weapons of the tribe and -sound the drums in the hills; or, more easily, to turn from the sunlit door and lie alone in the darkness, , where the impotent, painted deities paraded the walls in vain and cough his heart out among the rum bottles.
And, since Sebastian counted among the intruders his own conscience and all claims of human affection, his days in Arcadia were numbered. For in this, to me, tranquil time Sebastian took fright. I knew him well in that mood of alertness and suspicion, like a deer suddenly lifting his head at the far notes of the hunt; I had seen him grow wary at the thought of his family or his religion, now I found I, too, was suspect. He did not fail in love, but he lost his joy of it, for I was no longer part of his solitude. As my intimacy with his family grew, I became part of the world which he sought to escape; I became one of the bonds which held him. That was the part for which his mother, in all our little talks, was seeking to fit me. Everything was left unsaid. It was only dimly and at rare moments that I suspected what was afoot.
Outwardly Mr Samgrass was the only enemy. For a fortnight Sebastian and I remained at Brideshead, leading our own life. His brother was engaged in sport and estate management; Mr Samgrass was at work in the library on Lady Marchmain's book; Sir Adrian Porson demanded most of Lady Marchmain's time. We saw little of them except in the evenings; there was room under that wide roof for a wide variety of independent lives.
After a fortnight Sebastian said: 'I can't stand Mr Samgrass any more. Let's go to London,' so he came to stay with me and now began to use my home in preference to 'Marchers'. My father liked him. 'I think your friend very amusing,' he said. 'Ask him often.'
Then, back at Oxford, we took up again the life that seemed to be shrinking in the cold air. The sadness that had been strong in Sebastian the term before gave place to kind of sullenness, even towards me. He was sick at heart somewhere, I did not know how, and I grieved for him, unable to help.
When he was gay now it was usually because he was drunk, and when drunk he developed an obsession of 'mocking Mr Samgrass'. He composed a ditty of which the refrain was, 'Green arse, Samgrass—Samgrass green arse', sung to the tune of St Mary's chime, and he would thus serenade him, perhaps once a week, under his windows. Mr Samgrass was distinguished as being the first don to have a private telephone installed in his rooms. Sebastian in his cups used to ring him up and sing him this simple song. And all this Mr Samgrass took in good part, as it is called, smiling obsequiously when we met, but with growing confidence, as though each outrage in some way strengthened his hold on Sebastian.