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Books Do Furnish a Room - Anthony Powell [77]

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’s abandonment of him, made far less stir than might be expected. There were several reasons for this. In the first place, that Widmerpool should marry a girl like Pamela Flitton had been altogether unexpected; that she should leave him was another matter. Nothing could be more predictable, the only question – with whom? A certain amount of gossip went round when it became known they were no longer under the same roof, but, the awaited climax having taken place, the question of the lover’s identity was not an altogether easy one to answer; nor particularly interesting when answered, for those kept alive by such nourishment. Few people who knew Widmerpool also knew Trapnel, the reverse equally true. Besides, could it be stated with certainty that Pamela was living with Trapnel?

Everyone agreed that, even if Pamela had embarked on a romance with Trapnel, however unlikely that might be, nothing was, on the other hand, more probable than that she had left him immediately after. All that could be said for certain was that both had utterly disappeared from sight. That at least was definite. Accordingly, the physical presence of two lovers did not, by public appearance, draw attention to open adultery. In the circumstances, interest waned. The question of ‘taking sides’, in general so much adding to public concern with such predicaments, here scarcely arose, husband and lover inhabiting such widely separated worlds. There was some parallel to the time, years before, when Mona had left Peter Templer for J. G. Quiggin.

A further reason for the story to develop a strangely muffled character, almost as if leaked through a kind of censorship, was the hard work Widmerpool himself put in to lower the outside temperature. However he might inwardly regard the situation, as an MP he was understandably anxious to play down such a blemish on the life of a public man. Just as he had done to Short on the night of Pamela’s departure, he emphasized through all possible channels his wife’s undoubted eccentricity, circulating anecdotes about her to suggest that she was doing no more than taking a brief holiday from married life. She would return when she thought fit. That was Widmerpool’s line. Her husband, knowing her strange ways, paid little attention, in the end more people than might be expected pretty well accepted that explanation. It was a trump card. At first that was not so apparent as it became later.

Of course a friend of Pamela’s like Ada Leintwardine – a position in which Ada was, as a woman, probably unique – was thrown into a great state of commotion when the news, such as it was, broke. It was confirmed by L. O. Salvidge to the extent that two or three weeks before he had seen Trapnel in The Hero, accompanied by a very beautiful girl with a pale face and dark hair. They had stayed in the saloon bar only a few seconds, not even ordering drinks. Trapnel wanted to make some arrangement with one of the auxiliaries. Salvidge’s information predated the night at Widmerpool’s. Ada conceded not only that she had now lost all touch with Pamela, but – an unexampled admission on Ada’s part – could claim no suspicion whatever as to what must have been going on. This amounted to confession that, however profound her own powers of intuition, they had fallen short of paramountcy in probing this particular sequence of emotional development. All she had supposed was that Trapnel had been ‘rather intrigued’ by Pamela; the notion that he should sufficiently flatter himself as to allow dreams of her mastery was something quite beyond credibility. Ada’s alliance with Pamela had, in fact, never taken the form of frequentation of the Widmerpool household. They had just been ‘girls together’ outside Pamela’s married life. Ada continually repeated her disbelief.

‘It can’t really be Trapnel.’

Not only did Trapnel himself no longer appear at the Fission office, his representatives now dropped off too. Bagshaw had recently retired to bed with flu. For once the new number was fully made up, left to be seen through the press by the latest secretary, a red-haired, freckled girl called Judy, whom Bagshaw himself had produced from somewhere or other, alleging that she was not at all stupid, but unreliable at spelling. Judy had just brought in a stack of advance copies of the magazine when in due course I arrived to carry out the normal stint with the books. These were being examined by Quiggin and Ada, who were both on the Fission side of the backyard.

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