Books Do Furnish a Room - Anthony Powell [13]
Bagshaw’s employment at the BBC lasted only a few years. There were plenty of other professional rebels there, not to mention Party Members, but somehow they were not his sort. All the same, the Corporation left its mark. Even after he found more congenial occupations, he always spoke with a certain nostalgia of his BBC days, never entirely losing touch. After abdicating the air, he plunged into almost every known form of exploiting the printed word, where he always hovered between the sack and a much more promising offer on the horizon. He possessed that opportune facility for turning out several thousand words on any subject whatsoever at the shortest possible notice: politics: sport: books: finance: science: art: fashion – as he himself said, ‘War, Famine, Pestilence or Death on a Pale Horse’. All were equal when it came to Bagshaw’s typewriter. He would take on anything, and – to be fair – what he produced, even off the cuff, was no worse than what was to be read most of the time. You never wondered how on earth the stuff had ever managed to be printed.
All this suggests Bagshaw had a brilliant journalistic career ahead of him, when, as he described it, he set out ‘with the heart of a boy so whole and free’. Somehow it never came off. A long heritage of awkward incidents accounted for much of the furtiveness of Bagshaw’s manner. There had been every sort of tribulation. Jobs changed; wives (two at least) came and went; once DT was near at hand; from time to time there were periods ‘on the waggon’; all the while legend accumulating round this weaker side, which Bagshaw’s nickname celebrated. Its origin was lost in the mists of the past, but the legend emphasized aspects of Bagshaw that could make him a liability.
There were two main elucidations. One asserted that, the worse for drink, trying to abstract a copy of The GoldenTreasury from a large glass-fronted bookcase in order to verify a quotation required for a radio programme, Bagshaw overturned on himself this massive piece of furniture. As volume after volume descended on him, it was asserted he made the comment: ‘Books do furnish a room.’
Others had a different story. They would have it that Bagshaw, stark naked, had spoken the words conversationally as he approached the sofa on which lay, presumably in the same state, the wife of a well-known dramatic critic (on duty at the theatre that night appraising the First Night of The Apple Cart), a clandestine meeting having reached emotional climax in her husband’s book-lined study. Bagshaw was alleged to have spoken the words, scarcely more than muttered them – a revolutionary’s tribute to bourgeois values – as he rapidly advanced towards his prey: ‘ Books do furnish a room.’
The lady, it could have been none other, was believed later to have complained to a third party of lack of sensibility on Bagshaw’s part in making such an observation at such a juncture. Whichever story were true – probably neither, the second had all the flavour of having been worked over, if not invented, by Moreland – the nickname stuck.
‘There’ll be a stampede of dons’ wives,’ said Bagshaw, as we watched the train come in ‘Let’s be careful. We don’t want to be injured for life.’
We found a compartment, crowded enough, but no impediment to Bagshaw’s flow of conversation.
‘You know, Nicholas, whenever I come away from this place, I