At Lady Molly's - Anthony Powell [64]
A picture of Molly Jeavons was beginning to emerge: separateness from her ‘young married’ contemporaries: perhaps a certain recoil from their flamboyance: in any case, nothing in common with the fleeting interest in the arts of that new fashionable world. She might have the acquisitive instinct to capture from her first marriage (if that was indeed their provenance) such spoils as the Wilson and the Greuze, while remaining wholly untouched by the intellectual emancipation, however skin-deep, of her generation: the Russian Ballet: the painters of the Paris School: novels and poetry of the period: not even such a mournful haunt of the third-rate as the Celtic Twilight had played a part in her life. She had occupied a position many women must have envied, jogging along there for a dozen years without apparent dissatisfaction or a breath of scandal; then contentedly taking on an existence of such a very different kind, hardly noticing the change. All that was interesting. The fact was, perhaps, that her easy going, unambitious manner of life had passed unremarked in a vast house like Dogdene, organised in the last resort by the industrious Sleaford, who, according to Lovell, possessed rather a taste for interfering in domestic matters. While married to him, Molly remained a big, charming, noisy young woman, who had never entirely ceased to be a schoolgirl. When the Dogdene frame was removed, like the loosening of a corset of steel, the unconventional, the eccentric, even the sluttish side of her nature became suddenly revealed to the world.
So far as ‘getting on’ with her second husband was concerned, the strongest protest she ever seemed to make was: ‘Oh, Teddy, dear, do you ever catch hold of the right end of the stick?’, spoken kindly, and usually not without provocation; for Jeavons could be slow in grasping the point of a story. Some husbands might certainly take even that rebuke amiss, but Jeavons never seemed to question Molly’s absolute sway over himself, the house and all those who came there. I heard her say these words on subsequent visits after Lovell had introduced me there. Neither Widmerpool nor Mrs. Haycock had turned up again since that first night, and I made some enquiry about them.
‘Oh, you know Mr. Widmerpool?’ said Molly, at once beginning to laugh. ‘How extraordinary that you should know him. But perhaps you said so before. He has got jaundice. What a thing to happen when you are going to get married.’
‘How disagreeable for him. But I am not altogether surprised. He always makes a great fuss about his health. I think he has had jaundice before.’
‘You know him well then?’
‘Fairly well—though I don’t often see him.’
‘He is rather amusing, isn’t he?’ said Molly. ‘Quite a wit in his way. But he must look awful now that he is bright yellow.’
I agreed that the disease would give Widmerpool an unattractive appearance. It seemed to me extraordinary that she should have thought him ‘amusing’. I sometimes found his company enjoyable, because we had experienced much in common; but I could never remember him making an entertaining remark. I wondered what he could have said to cause that judgment: learning in due course that she was quite reckless in the characteristics she attributed to individuals. A chance remark would have the effect of swaying her entirely in favour of one person, or of arousing the bitterest opposition to another. She was very critical of many of the people who came to see her, and hoarded an accumulation of largely unfounded inferences about their character. These inaccuracies seemed to cancel each other out in some manner, so that in the last resort Molly was no worse informed, indeed in point of acuteness often better placed, than what might be regarded as