At Lady Molly's - Anthony Powell [47]
Erridge laughed constrainedly, and took a gulp of gin, involuntarily making a grimace as he did so. This seemed to indicate that he belonged to the class of egoist who dislikes the taste of food and drink. He would probably have abstained from alcohol entirely had not his special approach to life made a duty of mixing on equal terms with people round him. He seemed now a little put out by Quiggin’s lack of affection for the pump. Having installed the equipment himself, like most innovators or, indeed, most owners of property, he did not care for the disparagement of his organisation or possessions; at least on the part of persons other than himself.
‘1 met some of your sisters the other day,’ I said.
Erridge’s face clouded at these words, while Quiggin gritted his teeth in irritation. This, as intended, was nothing short of a declaration that I knew more about Erridge and his background than Quiggin might think desirable, and also was not prepared to move solely upon lines laid down by Quiggin himself. Indeed, Quiggin may have hoped that the name ‘Warminster’ inarticulately mumbled with the emphasis on the prefix ‘Alf, would in itself at the time convey little or nothing; later, he could please himself how much he revealed about his current patron. There was a moment’s pause before Erridge answered.
‘Oh, yes—yes—’ he said. ‘Which—which ones—?’
‘Priscilla and then Frederica, who took me to see Norah.’
‘Oh, yes,’ said Erridge. ‘Priscilla—Frederica—Norah.’
He spoke as if he had now begun to remember them quite well. The manner in which he screwed up his face, while making this effort of memory recalled his uncle, Alfred Tolland. Although, at first sight, it would have been difficult to think of two men whose outward appearance was superficially more different, something deeper remained in common. If Alfred Tolland had grown a beard, dressed in rags and slept out all night, or if Erridge had washed, shaved and assumed a stiff collar and dark suit, something more than a passing resemblance might have become evident. Indeed, Erridge’s features had assumed some of that same expression of disappointment which marked his uncle’s face when Molly Jeavons teased him; with the contrast that, in Erridge, one was reminded of a spoilt child, while Alfred Tolland’s countenance was that of a child resigned from an early age to teasing by grown-ups. There could be no doubt that Erridge recoiled from the invocation of his immediate family. The world of his relations no doubt caused him chronic dissatisfaction. I saw no reason, for my own part, why he should be let off anything. If he lent Quiggin the cottage, he must put up with Quiggin’s guests; especially those invited primarily to help Mona become a film star.
Silence fell. Erridge looked out towards the uncurtained window beyond which night had already fallen. Unlike his uncle, he had no wish to discuss his family. After all, it was perhaps hard that he should be forced to talk about them merely to plague Quiggin, though to try the experiment had been tempting. Quiggin himself had become increasingly restive during this interchange. Mona had spoken little, though undoubtedly cheered by the visit. Quiggin seemed to judge, perhaps correctly, that Erridge was displeased by all this chit-chat, and began to mention tentatively executive matters existing between them; although at the same time unquestionably anxious that Erridge should leave the cottage as soon as possible. However, Erridge in spite of his own unwillingness to make conversation, showed equally no desire to move. He took an ancient leather tobacco-pouch from one of his coat pockets and began to roll himself a cigarette. When he had done this