At Lady Molly's - Anthony Powell [39]
‘She really plays the piano jolly well,’ said Norah.
It was a challenge, but the glove was not picked up.
‘Rather an amusing person,’ said Frederica. ‘Do you see much of her?’
‘She lives a couple of floors below,’ said Eleanor. ‘She is rather too fond of looking in at all hours.’
‘Oh, I don’t know,’ said Norah. ‘I like Heather.’
‘So you’ve made up your mind about Thrubworth?’ said Frederica, as if the merits of Hopkins were scarcely worth discussing.
I explained that I must now leave them. Frederica, at the moment of saying good-bye, spoke almost warmly; as if her conjecture that I might be a support to her had been somehow justified. Norah Tolland was curt. It was agreed that I should ring up Eleanor one of these days and come to see them again. I had the impression that my departure would be the signal for a renewed outbreak of family feuds. Anxious to avoid even their preliminary barrage, I descended the rickety, foetid stairs, and proceeded on my way.
Later that evening, I found myself kicking my heels in one of those interminable cinema queues of which I have already spoken, paired off and stationary, as if life’s co-educational school, out in a ‘crocodile’, had come to a sudden standstill: that co-educational school of iron discipline, equally pitiless in pleasure and in pain. During the eternity of time that always precedes the termination of the ‘big picture’, I had even begun to wonder whether we should spend the rest of our days on that particular stretch of London pavement, when, at long last, just as rain had begun to fall, the portals of the auditorium burst open to void the patrons of the earlier performance. First came those scattered single figures, who, as if distraught by what they have seen and seeking to escape at whatever the cost, hurry blindly from the building, they care not how, nor where; then the long serpentine of spectators to whom expulsion into the street means no more than a need to take another decision in life; who, accordingly, postpone in the foyer any such irksome effort of the will by banding themselves into small, irregular, restless groups, sometimes static, sometimes ineffectively mobile. As the queue of which we formed a link stumbled forward towards the booking office, I discerned through the mist of faces that must dissolve before we could gain our seats, the features of J. G. Quiggin. Our eyes met. He shook his head sharply from side to side, as if to express satisfaction that we should run into each other in so opportune a manner. A moment later he was near enough to make his small, grating tones heard above the murmur of other voices.
‘I’ve been trying to get hold of you,’ he said.
‘We must meet.’
‘There were some things I wanted to talk about.’
Since we had been undergraduates together my friendship with Quiggin, moving up and down at different seasons, could have been plotted like a temperature chart. Sometimes we seemed on fairly good terms, sometimes on fairly bad terms; never with any very concrete reason for these improvements and deteriorations. However, if Quiggin thought it convenient to meet during a ‘bad’ period, he would always take steps to do so, having no false pride in this or any other aspect of his dealings with the world. After such a meeting, a ‘good’ period would set in; to be dissipated after a time by argument, disagreement or even by inanition. This periodicity of friendship and alienation had rotated, almost like the seasons of the year, until a year or two before: a time when Quiggin had ‘run away’ with Peter Templer’s wife, Mona. This act threatened to complicate more seriously any relationship that might exist between Quiggin and myself.
As things turned out, I had seen nothing either of Templer or Quiggin during the period immediately following the divorce. Templer had always been out or engaged when I had telephoned to him; and, as we had by then little left in common except having been friends at school, our intermittent meetings had entirely ceased. There was perhaps another reason why I feit unwilling to make more strenuous efforts to see him. He reminded me of Jean. That was an additional reason for allowing this course to prevail. I heard quite by chance that he had sold his Maidenhead house. It was said, whatever his inner feelings about losing Mona, that outwardly he was not taking things too hard: demonstrating a principle he had once expressed: