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By Root 5346 0

és of his friends that he would like to dance with them, but could not because he was posted. Everyone was drinking, or had just finished a drink, or was just about to take one. The drinks were rye and ginger ale, practically unanimously, except for a few highballs of applejack and White Rock or apple and ginger ale, or gin and ginger ale. Only a few of the inner sanctum members were drinking Scotch. The liquor, that is, the rye, was all about the same: most people bought drug store rye on prescriptions (the physicians who were club members saved scrips for their patients), and cut it with alcohol and colored water. It was not poisonous, and it got you tight, which was all that was required of it and all that could be said for it. The vibrations of the orchestra (Tommy Lake s Royal Collegians, a Gibbsville band) reached the smoking room, and the youngest people in the room began to hum Something To Remember You By. The young men addressed the girls: Dance? and the girls said: Love to, or Sa-well, or Uh-huh. Slowly the room became less crowded. A few remained around one fairly large table in a corner, which by common consent or eminent domain or something was conceded to be the Whit Hofman-crowd s table. Harry Reilly was telling a dirty story in an Irish brogue, which was made slightly more realistic or funny by the fact that his bridgework, done before the Reillys came into the big money, did not fit too well, and Harry as a result always whistled faintly when he spoke. Reilly had a big, jovial white face, gray hair and a big mouth with thin lips. His eyes were shrewd and small, and he was beginning to get fat. He was in tails, and his white tie was daintily soiled from his habit of touching it between gestures of the story. His clothes were good, but he had been born in a tiny coal-mining village, or patch, as these villages are called; and Reilly himself was the first to say: You can take the boy out of the patch, but you can t take the patch out of the boy.

Reilly told stories in paragraphs. While he was speaking he would lean forward with an arm on his knee, like a picture you have seen of a cowboy. When he came to the end of the paragraph he would look quickly over his shoulder, as though he expected to be arrested before finishing the story; he would finger his tie and close his mouth tight, and then he would turn back to his audience and go into the next paragraph: ... So Pat said ... It was funny to watch people listening to Harry telling a story. If they took a sip of a drink in the middle of a paragraph, they did it slowly, as though concealing it. And they always knew when to laugh, even when it was a Catholic joke, because Reilly signaled the pay-off line by slapping his leg just before it was delivered. When everyone had laughed (Reilly would look at each person to see that he or she was getting it), he would follow with a short history of the story, where he had heard it and under what circumstances; and the history would lead to another story. Everyone else usually said: Harry, I don t see how you remember them. I hear a lot of stories, but I never can think of them. Harry had a great reputation as a wit a witty Irishman. Julian English sat there watching him, through eyes that he permitted to appear sleepier than they felt. Why, he wondered, did he hate Harry Reilly? Why couldn’t he stand him? What was there about Reilly that caused him to say to himself: If he starts one more of those moth-eaten stories I ll throw this drink in his face. But he knew he would not throw this drink or any other drink in Harry Reilly s face. Still, it was fun to think about it. (That was the pay-off line of the story: Old maid goes to confession, tells priest she has committed a sin of immorality. Priest wants to know how many times. Old maid says once, thirty years ago but Faathurr, I like to think aboat it. ) Yes, it would be fun to watch. The whole drink, including the three round-cornered lumps of ice. At least one lump would hit Reilly in the eye, and the liquid would splash all over his shirt, slowly wilting it as the Scotch and soda trickled down the bosom to the crevice at the waistcoat. The other people would stand up in amazed confusion. Why, Ju! they would say. Caroline would say, Julian! Froggy Ogden would be alarmed, but he would burst out laughing. So would Elizabeth Gorman, laughing her loud haw-haw-haw, not because she enjoyed seeing her uncle being insulted, nor because she wanted to be on Julian s side; but because it would mean a situation, something to have been in on. Didn