An American Tragedy - Theodore Dreiser [355]
The peculiarly rusty and disheveled and indifferently tailored character of Jephson’s suits! The worn and disarranged effect of his dark brown soft hat, pulled low over his eyes! His long, bony, knotty hands, suggesting somehow an enormous tensile strength. And the hard, small blue eyes filled with a shrewd, determined cunning and courage, with which he was seeking to inoculate Clyde, and which somehow did inoculate him!
“Any more preachers around to-day? Any more country girls or Mason’s boys?” For during this time, because of the enormous interest aroused by the pitiable death of Roberta, as well as the evidence of her rich and beautiful rival, Clyde was being visited by every type of shallow crime-or-sex-curious country bumpkin lawyer, doctor, merchant, yokel evangelist or minister, all friends or acquaintances of one or another of the officials of the city, and who, standing before his cell door betimes, and at the most unexpected moments, and after surveying him with curious, or resentful, or horrified eyes, asked such questions as: “Do you pray, brother? Do you get right down on your knees and pray?” (Clyde was reminded of his mother and father at such times.) Had he made his peace with God? Did he actually deny that he had killed Roberta Alden? In the case of three country girls: “Would you mind telling us the name of the girl you are supposed to be in love with, and where she is now? We won’t tell any one. Will she appear at the trial?” Questions which Clyde could do no more than ignore, or if not, answer as equivocally or evasively or indifferently as possible. For although he was inclined to resent them, still was he not being constantly instructed by both Belknap and Jephson that for the good of his own cause he must try to appear genial and civil and optimistic? Then there came also newspaper men, or women, accompanied by artists or photographers, to interview and make studies of him. But with these, for the most part and on the advice of Belknap and Jephson he refused to communicate or said only what he was told to say.
“You can talk all you want,” suggested Jephson, genially, “so long as you don’t say anything. And the stiff upper lip, you know. And the smile that won’t come off, see? Not failing to go over that list, are you?” (He had provided Clyde with a long list of possible questions which no doubt would be asked him on the stand and which he was to answer according to answers typewritten beneath them, or to suggest something better. They all related to the trip to Big Bittern, his reason for the extra hat, his change of heart— why, when, where.) “That’s your litany, you know.” And then he might light a cigarette without ever offering one to Clyde, since for the sake of a reputation for sobriety he was not to smoke here.
And for a time, after each visit, Clyde finding himself believing that he could and would do exactly as Jephson had said—walk briskly and smartly into court—bear up against every one, every eye, even that of Mason himself—forget that he was afraid of him, even when on the witness stand—forget all the terror of those many facts in Mason’s possession, which he was to explain with this list of answers—forget Roberta and her last cry, and all the heartache and misery that went with the loss of Sondra and her bright world.
Yet, with the night having once more fallen, or the day dragging on with only the lean and bearded Kraut or the sly and evasive Sissel, or both, hanging about, or coming to the door to say, “Howdy!” or to discuss something that had occurred in town, or to play chess, or checkers, Clyde growing more and more moody and deciding, maybe, that there was no real hope for him after all. For how alone he was, except for his attorneys and mother and brother and sisters! Never a word from Sondra, of course. For along with her recovery to some extent from her original shock and horror, she was now thinking somewhat differently of him