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An American Tragedy - Theodore Dreiser [18]

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“I suppose you are ready to go to work now, aren’t you?”

“Yes, sir, yes, sir,” he replied.

“Very good!” Then he got up and opened the door which had shut them in. “Oscar,” he called to a boy seated at the head of the bell-boy bench, to which a tallish, rather oversized youth in a tight, neat-looking uniform responded with alacrity. “Take this young man here—Clyde Griffiths is your name, isn’t it?—up to the wardrobe on the twelfth and see if Jacobs can find a suit to fit. But if he can’t tell him to alter it by tomorrow. I think the one Silsbee wore ought to be about right for him.”

Then he turned to his assistant at the desk who was at the moment looking on. “I’m giving him a trial, anyhow,” he commented. “Have one of the boys coach him a little tonight or whenever he starts in. Go ahead, Oscar,” he called to the boy in charge of Clyde. “He’s green at this stuff, but I think he’ll do,” he added to his assistant, as Clyde and Oscar disappeared in the direction of one of the elevators. Then he walked off to have Clyde’s name entered upon the payroll.

In the meantime, Clyde, in tow of this new mentor, was listening to a line of information such as never previously had come to his ears anywhere.

“You needn’t be frightened, if you ain’t never worked at anything like dis before,” began this youth, whose last name was Hegglund as Clyde later learned, and who hailed from Jersey City, New Jersey, exotic lingo, gestures and all. He was tall, vigorous, sandy-haired, freckled, genial and voluble. They had entered upon an elevator labeled “employees.” “It ain’t so hard. I got my first job in Buffalo t’ree years ago and I never knowed a t’ing about it up to dat time. All you gotta do is to watch de udders an’ see how dey do, see. Yu get dat, do you?”

Clyde, whose education was not a little superior to that of his guide, commented quite sharply in his own mind on the use of such words as “knowed,” and “gotta”—also upon “t’ing,” “dat,” “udders,” and so on, but so grateful was he for any courtesy at this time that he was inclined to forgive his obviously kindly mentor anything for his geniality.

“Watch whoever’s doin’ anyt’ing, at first, see, till you git to know, see. Dat’s de way. When de bell rings, if you’re at de head of de bench, it’s your turn, see, an’ you jump up and go quick. Dey like you to be quick around here, see. An’ whenever you see any one come in de door or out of an elevator wit a bag, an’ you’re at de head of de bench, you jump, wedder de captain rings de bell or calls ‘front’ or not. Sometimes he’s busy or ain’t lookin’ an’ he wants you to do dat, see. Look sharp, cause if you don’t get no bags, you don’t get no tips, see. Everybody dat has a bag or anyt’ing has to have it carried for ‘em, unless dey won’t let you have it, see.

“But be sure and wait somewhere near de desk for whoever comes in until dey sign up for a room,” he rattled on as they ascended in the elevator. “Most every one takes a room. Den de clerk’ll give you de key an’ after dat all you gotta do is to carry up de bags to de room. Den all you gotta do is to turn on de lights in de batroom and closet, if dere is one, so dey’ll know where dey are, see. An’ den raise de curtains in de day time or lower ‘em at night, an’ see if dere’s towels in de room, so you can tell de maid if dere ain’t, and den if dey don’t give you no tip, you gotta go, only most times, unless you draw a stiff, all you gotta do is hang back a little—make a stall, see—fumble wit de door-key or try de transom, see. Den, if dey’re any good, dey’ll hand you a tip. If dey don’t, you’re out, dat’s all, see. You can’t even look as dough you was sore, dough—nottin’ like dat, see. Den you come down an’ unless dey wants ice-water or somepin, you’re troo, see. It’s back to de bench, quick. Dere ain’t much to it. Only you gotta be quick all de time, see, and not let any one get by you comin’ or goin’—dat’s de main t’ing.

“An’ after dey give you your uniform, an’ you go to work, don’t forgit to give de captain a dollar after every watch before you leave, see—two dollars on de day you has two watches, and a dollar on de day you has one, see? Dat

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