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An American Tragedy - Theodore Dreiser [161]

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—and so soon after her coming here? She was beginning to feel as though her hitherto impeccable standards were crumbling.

And yet there was Clyde now. Could she give him up?

After many emotional aches she decided that she could not. And accordingly after paying a deposit and arranging to occupy the room within the next few days, she returned to her work and after dinner the same evening announced to Mrs. Newton that she was going to move. Her premeditated explanation was that recently she had been thinking of having her younger brother and sister come and live with her and since one or both were likely to come soon, she thought it best to prepare for them.

And the Newtons, as well as Grace, feeling that this was all due to the new connections which Roberta had recently been making and which were tending to alienate her from Grace, were now content to see her go. Plainly she was beginning to indulge in a type of adventure of which they could not approve. Also it was plain that she was not going to prove as useful to Grace as they had at first imagined. Possibly she knew what she was doing. But more likely she was being led astray by notions of a good time not consistent with the reserved life led by her at Trippetts Mills.

And Roberta herself, once having made this move and settled herself in this new atmosphere (apart from the fact that it gave her much greater freedom in connection with Clyde) was dubious as to her present course. Perhaps—perhaps—she had moved hastily and in anger and might be sorry. Still she had done it now, and it could not be helped. So she proposed to try it for a while.

To salve her own conscience more than anything else, she at once wrote her mother and her sister a very plausible version of why she had been compelled to leave the Newtons. Grace had grown too possessive, domineering and selfish. It had become unendurable. However, her mother need not worry. She was satisfactorily placed. She had a room to herself and could now entertain Tom and Emily or her mother or Agnes, in case they should ever visit her here. And she would be able to introduce them to the Gilpins whom she proceeded to describe.

Nevertheless, her underlying thought in connection with all this, in so far as Clyde and his great passion for her was concerned— and hers for him—was that she was indeed trifling with fire and perhaps social disgrace into the bargain. For, although consciously at this time she was scarcely willing to face the fact that this room—its geometric position in relation to the rest of the house— had been of the greatest import to her at the time she first saw it, yet subconsciously she knew it well enough. The course she was pursuing was dangerous—that she knew. And yet how, as she now so often asked herself at moments when she was confronted by some desire which ran counter to her sense of practicability and social morality, was she to do?

Chapter 20

However, as both Roberta and Clyde soon found, after several weeks in which they met here and there, such spots as could be conveniently reached by interurban lines, there were still drawbacks and the principal of these related to the attitude of both Roberta and Clyde in regard to this room, and what, if any, use of it was to be made by them jointly. For in spite of the fact that thus far Clyde had never openly agreed with himself that his intentions in relation to Roberta were in any way different to those normally entertained by any youth toward any girl for whom he had a conventional social regard, still, now that she had moved into this room, there was that ineradicable and possibly censurable, yet very human and almost unescapable, desire for something more—the possibility of greater and greater intimacy with and control of Roberta and her thoughts and actions in everything so that in the end she would be entirely his. But how HIS? By way of marriage and the ordinary conventional and durable existence which thereafter must ordinarily ensue? He had never said so to himself thus far. For in flirting with her or any girl of a lesser social position than that of the Griffiths here (Sondra Finchley, Bertine Cranston, for instance) he would not

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