An American Tragedy - Theodore Dreiser [102]
He followed Mr. Whiggam, curious as to the significance of this, and soon found himself in an enormous basement which had been reached by descending a flight of steps at the end of a third hall. Here, by the help of four long rows of incandescent lamps, he discerned row after row of porcelain tubs or troughs, lengthwise of the room, and end to end, which reached from one exterior wall to the other. And in these, under steaming hot water apparently, were any quantity of those same webs he had just seen upstairs, soaking. And near-by, north and south of these tubs, and paralleling them for the length of this room, all of a hundred and fifty feet in length, were enormous drying racks or moving skeleton platforms, boxed, top and bottom and sides, with hot steam pipes, between which on rolls, but festooned in such a fashion as to take advantage of these pipes, above, below and on either side, were more of these webs, but unwound and wet and draped as described, yet moving along slowly on these rolls from the east end of the room to the west. This movement, as Clyde could see, was accompanied by an enormous rattle and clatter of ratchet arms which automatically shook and moved these lengths of cloth forward from east to west. And as they moved they dried, and were then automatically re-wound at the west end of these racks into bolt form once more upon a wooden spool and then lifted off by a youth whose duty it was to “take” from these moving platforms. One youth, as Clyde saw, “took” from two of these tracks at the west end, while at the east end another youth of about his own years “fed.” That is, he took bolts of this now partially shrunk yet still wet cloth and attaching one end of it to some moving hooks, saw that it slowly and properly unwound and fed itself over the drying racks for the entire length of these tracks. As fast as it had gone the way of all webs, another was attached.
Between each two rows of tubs in the center of the room were enormous whirling separators or dryers, into which these webs of cloth, as they came from the tubs in which they had been shrinking for twenty-four hours, were piled and as much water as possible centrifugally extracted before they were spread out on the drying racks.
Primarily little more than this mere physical aspect of the room was grasped by Clyde—its noise, its heat, its steam, the energy with which a dozen men and boys were busying themselves with various processes. They were, without exception, clothed only in armless undershirts, a pair of old trousers belted in at the waist, and with canvas-topped and rubber-soled sneakers on their bare feet. The water and the general dampness and the heat of the room seemed obviously to necessitate some such dressing as this.
“This is the shrinking room,” observed Mr. Whiggam, as they entered. “It isn’t as nice as some of the others, but it’s where the manufacturing process begins. Kemerer!” he called.
A short, stocky, full-chested man, with a pate, full face and white, strong-looking arms, dressed in a pair of dirty and wrinkled trousers and an armless flannel shirt, now appeared. Like Whiggam in the presence of Gilbert, he appeared to be very much overawed in the presence of Whiggam.
“This is Clyde Griffiths, the cousin of Gilbert Griffiths. I spoke to you about him last week, you remember?”
“Yes, sir.”
“He’s to begin down here. He’ll show up in the morning.”
“Yes, sir.”
“Better put his name down on your check list. He’ll begin at the usual hour.”
“Yes, sir.”
Mr. Whiggam, as Clyde noticed, held his head higher and spoke more directly and authoritatively than at any time so far. He seemed to be master, not underling, now.
“Seven-thirty is the time every one goes to work here in the morning,” went on Mr. Whiggam to Clyde informatively, “but they all ring in a little earlier—about seven-twenty or so, so as to have time to change their clothes and get to the machines.
“Now, if you want to,” he added, “Mr. Kemerer can show you what you’ll have to do tomorrow before you leave today. It might save a little time. Or, you can leave it until then if you want to. It don