All the King's Men - Robert Penn Warren [213]
I went to my own room, snatched up some clothes, and then went back to my mother’s room, and shut the door. I dressed and sat by the side of the big magnificent tester bed in which the lace-filmed form looked so small. I noticed how the bosom looked slack and the face sunken and grayish. The mouth was somewhat open and the breath through it heavy. I scarcely recognized the face. Certainly it was not the face of the girl in the lettuce-green dress and with the golden hair who had stood by the stocky, dark-suited man on the steps of a company commissary in a lumber town in Arkansas, forty years before, while the scream of saws filled the air and the head like a violated nerve and the red earth between the fields of stumps curdled with pale green and steamed in the spring sun. it was not the famish-cheeked, glowing face that, back in those years, had looked up eagerly and desperately to the hawk-headed, hot-eyed man in alleys of myrtle or in secret pine groves or in shuttered rooms. No, it was an old face now. And I felt very sorry for it. I reached across to take one of the unconscious hands which lay loose on the sheet.
I held the hand and tried to image how things would have been if it had not been the Scholarly Attorney but his friend who had gone to the little lumber town in Arkansas. No, that wouldn’t have helped much, I decided, remembering that at that time Monty Irwin had been married to an invalid wife, who had been crippled by being thrown from a horse and who had lain in bed for some years and had then died quietly and sunk from our sight and thought at the Landing. No doubt Monty Irwin had been held by some notion of obligation to that invalid wife: he hadn’t been able to divorce her and marry the other woman. No doubt that was why he had not married the famish-cheeked girl, why he had not gone to his friend the Scholarly Attorney and told him, “I love your wife,” or why, after the husband had learned the truth, as he must have done to make him walk out of the house and away to all the years in the slum garrets, he had not then married her. He still had his own wife then, to whom, because she was an invalid, he must have felt bound with a kind of twisted honor. Then my mother had married again. There must have been bitterness and dire quarrels all along mixed with the stolen satisfactions and ardors. Then the invalid had died. Why hadn’t they married then? Perhaps my mother wouldn’t then, to punish him for his own earlier refusals. Or perhaps their life was by this time set into a pattern they couldn’t break. Anyway, he had married the woman from Savannah, the woman who hadn’t brought him anything, neither money nor happiness, but who had, after a certain time, died. Why hadn’t they married then?
I dismissed the question finally. Perhaps the only answer, I thought then, was that by the time we understand the pattern we are in, the definition we are making for ourselves, it is too late to break out of the box. We can only live in terms of the definition, like the prisoner in the cage in which he cannot lie or stand or sit, hung up in justice to be viewed by the populace. Yet the definition we had made of ourselves is ourselves. To break out of it, we must make a new self. But how can the self make a new self when the selfness which it is, is the only substance from which the new self can be made? At least that was the way I argued the case back then.
As I say, I dismissed the question, and dismissed the answer I had tried to give to it, and simply held the lax hand between my own, and listened to the heavy breathing from the sunken face, and thought how in the scream which had snatched me from sleep that afternoon there had been the bright, beautiful, silver purity of feeling. It had been, I decided, the true cry of the buried soul which had managed, for one instant after all the years, to utter itself again. Well, she had loved Monty Irwin, I supposed. I had thought that she had never loved anybody. So now, as I held the hand, I felt not only pity for her but something like love, too, because she had loved somebody.