All the King's Men - Robert Penn Warren [2]
The Boss was sitting in the front seat with Sugar-Boy and watching the speedometer, with his kid Tom up there with him. Tom was then about eighteen or nineteen–I forgot which–but you would have thought he was older. He wasn’t so big, but he was built like a man and his head sat on his shoulders like a man’s head without the gangly, craning look a kid’s head has. He had been a high-school football and the fall before he had been the flashiest thing on the freshman team at State. He got his name in the papers because he was really good. He knew he was good. He knew he was the nuts, as you could tell from one look at his slick-skinned handsome brown face, with the jawbone working insolently and slow over a little piece of chewing gum and his blue eyes under half-lowered lids working insolently and slow over you, or the whole damned world. But that day when he was up in the front seat with Willie Stark, who was the Boss, I couldn’t see his face. I remembered thinking his head, the shape and the way it was set on his shoulders, was just like his old man’s head.
Mrs. Stark–Lucy Stark, the wife of the Boss–Tiny Duffy, and I were in the back seat–Lucy Stark between Tiny and me. It wasn’t exactly a gay little gathering. The temperature didn’t make for chit-chat in the first place. In the second place, I was watching out for the hay wagons and gasoline trucks. In the third place, Duffy and Lucy Stark never were exactly chummy. So she sat between Duffy and me and gave herself to her thoughts. I reckon she had plenty to think about. For one thing, she could think about all that had happened since she was a girl teaching her first year in the school at Manson City and had married a red-faced and red-necked farm boy with big slow hands and a shock of dark brown hair coming down over his brow (you can look at the wedding picture which has been in the papers along with a thousand other pictures of Willie) and a look of dog-like devotion and wonder in his eyes when they fixed on her. She would have had a lot to think about as she sat in the hurtling Cadillac, for there had been a lot of changes.
We tooled down the street where the little one-time-white houses were, and hit the square. It was Saturday afternoon and the square was full of folks. The wagons and the crates were parked solid around the patch of grass roots in the middle of which stood the courthouse, a red-brick box, well weathered and needing [paint, for it had been there since before the Civil War, with a little tower with a clock face on each side. On the second look you discovered that the clock faces weren’t real. They were just painted on, and they all said five o’clock and not eight-seventeen the way those big painted watches in front of third-string jewelry stores used to. We eased into the ruck of folks come in to do their trading, and Sugar-Boy leaned on his horn, and his head twitched, and he said, “B-b-b-b-b-as-tuds,” and the spit flew.
We pulled up in front of the drugstore, and the kid tom got out and the Boss, before Sugar-Boy could get around to the door. I got out and helped out Lucy Stark, who came up from the depths of heat and meditation long enough to say, “Tank you.” She stood there on the pavement a second touching her skirt into place around her hips, which had a little more beam on them than no doubt had been the case when she won the heart of Willie Stark, the farm boy.