All the King's Men - Robert Penn Warren [110]
“Yeah,” Mr. Simms was saying, “yeah.” And grasped the girl by the shoulder to swing her slowly around for a complete view. Then he seized one of her wrists and lifted the arm to shoulder level and worked it back and forth a couple of times to show the supple articulation, saying, “Yeah.” That done, he drew the arm forward, holding it toward the Frenchman, the hand hanging limply from the wrist which he held. (The hand was according to the journal, “well molded, and the fingers tapered.”) “Yeah,” Mr. Simms said, “look at that-air hand. Ain’t no lady got a littler, teensier hand. And round and soft, yeah?”
“Ain’t she got nuthen else round and soft?” one of the men at the door called and the others laughed.
“Yeah,” Mr. Simms said, and leaned to take the hem of her dress, which with a delicate flirting motion he lifted higher than her waist, while he reached out with his other hand to wad the cloth and draw it into a kind of “awkward girdle” about her waist. Still holding the wad of cloth he walked around her, forcing her to turn (she turned “without resistance and as though in a trance”) with his motion until her small buttocks were toward the door. “Round and soft, boys,” Mr. Simms said, and gave her a good whack on the near buttock to make the flesh tremble. “Ever git yore hand on anything rounder ner softer, boys? he demanded. “Hit’s a cushion, I declare. And shake like sweet jelly.”
“God-a-Mighty and got on stockings,” one of the men said.
While the other men laughed, the Frenchman stepped to the side of the girl, reached out to lay the tip of his riding crop at the little depression just above the beginning of the swell of the buttocks. He held the tip delicately there for a moment, then flattened the crop across the back and moved it down slowly, evenly across each buttock, to trace the fullness of the curve. “Turn her,” he said in his foreign voice.
Mr. Simms obediently carried the wad around, and the body followed in the half revolution. One of the men at the door whistled. The Frenchman laid his crop across the woman’s belly as though he were a “carpenter measuring something or as to demonstrate its flatness,” and moved it down as before, tracing the structure, until it came to rest across the thigh, below the triangle. Then he let his hand fall to his side, with the crop. “Open your mouth,” he said to the girl.
She did so, and he peered earnestly at her teeth. Then he leaned and whiffed her breath. “It is a good breath,” he admitted, as though grudgingly.
“Yeah,” Mr. Simms said, “yeah, you ain’t a-finden no better breath.”
“Have you any others?” the Frenchman demanded. “On hand?”
“We got ’em,” Mr. Simms said.
“Let me see,” the Frenchman said, and moved toward the door with, apparently, the “insolent expectation” that the group there would dissolve before him. He went out into the hal, Mr. Simms following. While Mr. Simms locked the door, Cass said to him, “I wish to speak to you, if you are Mr. Simms.”
“Huh? Mr. Simms said (“grunted” according to the journal), but looking at Cass became suddenly civil for he could know from dress and bearing that Cass was not one of the casual hangers-on. So Mr. Simms admitted the Frenchman to the next room to inspect its occupant, and returned to Cass. Cass remarked in the journal that trouble might have been avoided if he had been more careful to speak inn private, but he wrote that at the time the matter was so much upon his mind that the men who stood about were as shadows to him.
He explained his wish to Mr. Simms, described Phebe as well as possible, gave the name of the trader in Paducah, and offered a liberal commission. Mr. Simms seemed dubious, promised to do what he could, and then said,