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By Root 5948 0

er contestable five days a week – the road was empty; except for Widmerpool, in a sweater once white and cap at least a size too small, hobbling unevenly, though with determination, on the flat heels of spiked running-shoes. Slowly but surely he loomed through the dusk towards me as I walked back – well wrapped-up, I remember – from an expedition to the High Street. Widmerpool was known to go voluntarily for “a run” by himself every afternoon. This was his return trotting across the plough in drizzle that had been falling since early school. I had, of course, often seen him before, because we were in the same house; even spoken with him, though he was a bit older than myself. Anecdotes relating to his acknowledged oddness were also familiar; but before that moment such stories had not made him live. It was on the bleak December tarmac of that Saturday afternoon in, I suppose, the year 1921 that Widmerpool, fairly heavily built, thick lips and metal-rimmed spectacles giving his face as usual an aggrieved expression, first took coherent form in my mind. As the damp, insistent cold struck up from the road, two thin jets of steam drifted out of his nostrils, by nature much distended, and all at once he seemed to possess a painful solidarity that talk about him had never conveyed. Something comfortless and inelegant in his appearance suddenly impressed itself on the observer, as stiffly, almost majestically, Widmerpool moved on his heels out of the mist.

His status was not high. He had no colours, and although far from being a dunce, there was nothing notable about his work. At this or any other time of year he could be seen training for any games that were in season: in winter solitary running, with or without a football: in summer, rowing “courses” on the river, breathing heavily, the sweat clouding his thick lenses, while he dragged his rigger through the water. So far as I know he never reached even the semi-finals of the events for which he used to enter. Most of the time he was alone, and even when he walked with other boys he seemed in some way separate from them. About the house he was more noticeable than in the open air, because his voice was pitched high and he articulated poorly: as if tongue were too big for mouth. This delivery made his words always appear to protest, a manner of speaking almost predictable from his face. In addition to that distinctly noisy manner of utterance, thick rubber reinforcements on soles and heels caused his boots – he wore boots more often than what Stringham used to call “Widmerpool’s good sensible shoes” – to squeal incessantly: their shrill rhythmic bursts of sound, limited in compass like the notes of a barbaric orchestra, giving warning of his approach along the linoleum of distant passages; their sullen whining dirge seeming designed to express in musical terms the mysteries of an existence of toil and abnegation lived apart from the daily life of the tribe. Perhaps he sounds a grotesque and conspicuous figure. In excess, Widmerpool was neither. He had his being, like many others, in obscurity. The gap in age caused most of my knowledge of him to have come second-hand; and, in spite of this abrupt realisation of him as a person that took place on that winter evening, he would have remained a dim outline to me if he had not at an earlier date, and before my own arrival, made himself already memorable as a new boy, by wearing the wrong kind of overcoat.

At this distance of time I cannot remember precisely what sort of an overcoat Widmerpool was said to have worn in the first instance. Stories about it had grown into legend: so much so that even five or six years later you might still occasionally hear an obtrusive or inappropriate garment referred to as “a Widmerpool;” and Templer, for example, would sometimes say: “I am afraid I’m wearing rather Widmerpool socks to-day,” or, “I’ve bought a wonderfully Widmerpool tie to go home in.” My impression is that the overcoat’s initial deviation from normal was slight, depending on the existence or absence of a belt at the back, the fact that the cut was single- or double-breasted, or, again, irregularity may have had something to do with the collar; perhaps the cloth even, was of the wrong colour or texture.

As a matter of fact the overcoat was onl