A Passage to India - E. M. Forster [27]
“I like mysteries but I rather dislike muddles,” said Mrs. Moore.
“A mystery is a muddle.”
“Oh, do you think so, Mr. Fielding?”
“A mystery is only a high-sounding term for a muddle. No advantage in stirring it up, in either case. Aziz and I know well that India’s a muddle.”
“India’s——Oh, what an alarming idea!”
“There’ll be no muddle when you come to see me,” said Aziz, rather out of his depth. “Mrs. Moore and everyone—I invite you all—oh, please.”
The old lady accepted: she still thought the young doctor excessively nice; moreover, a new feeling, half languor, half excitement, bade her turn down any fresh path. Miss Quested accepted out of adventure. She also liked Aziz, and believed that when she knew him better he would unlock his country for her. His invitation gratified her, and she asked him for his address.
Aziz thought of his bungalow with horror. It was a detestable shanty near a low bazaar. There was practically only one room in it, and that infested with small black flies. “Oh, but we will talk of something else now,” he exclaimed. “I wish I lived here. See this beautiful room! Let us admire it together for a little. See those curves at the bottom of the arches. What delicacy! It is the architecture of Question and Answer. Mrs. Moore, you are in India; I am not joking.” The room inspired him. It was an audience hall built in the eighteenth century for some high official, and though of wood had reminded Fielding of the Loggia dei Lanzi at Florence. Little rooms, now Europeanized, clung to it on either side, but the central hall was unpapered and unglassed, and the air of the garden poured in freely. One sat in public—on exhibition, as it were—in full view of the gardeners who were screaming at the birds and of the man who rented the tank for the cultivation of water chestnut. Fielding let the mango trees too—there was no knowing who might not come in—and his servants sat on his steps night and day to discourage thieves. Beautiful certainly, and the Englishman had not spoilt it, whereas Aziz in an occidental moment would have hung Maude Goodmans on the walls. Yet there was no doubt to whom the room really belonged… .
“I am doing justice here. A poor widow who has been robbed comes along and I give her fifty rupees, to another a hundred, and so on and so on. I should like that.”
Mrs. Moore smiled, thinking of the modern method as exemplified in her son. “Rupees don’t last for ever, I’m afraid,” she said.
“Mine would. God would give me more when he saw I gave. Always be giving, like the Nawab Bahadur. My father was the same, that is why he died poor.” And pointing about the room he peopled it with clerks and officials, all benevolent because they lived long ago. “So we would sit giving for ever—on a carpet instead of chairs, that is the chief change between now and then, but I think we would never punish anyone.”
The ladies agreed.
“Poor criminal, give him another chance. It only makes a man worse to go to prison and be corrupted.” His face grew very tender—the tenderness of one incapable of administration, and unable to grasp that if the poor criminal is let off he will again rob the poor widow. He was tender to everyone except a few family enemies whom he did not consider human: on these he desired revenge. He was even tender to the English; he knew at the bottom of his heart that they could not help being so cold and odd and circulating like an ice stream through his land. “We punish no one, no one,” he repeated, “and in the evening we will give a great banquet with a nautch and lovely girls shall shine on every side of the tank with fireworks in their hands, and all shall be feasting and happiness until the next day, when there shall be justice as before—fifty rupees, a hundred, a thousand—till peace comes. Ah, why didn’t we live in that time?—But are you admiring Mr. Fielding’s house? Do look how the pillars are painted blue, and the verandah’s pavilions—what do you call them?—that are above us inside are blue also. Look at the carving on the pavilions. Think of