A Passage to India - E. M. Forster [130]
“There is still the procession.”
“I’d rather not go nearer—they have such strange customs, and might hurt you.”
“A little nearer.”
Aziz obeyed. He knew with his heart that this was Mrs. Moore’s son, and indeed until his heart was involved he knew nothing. “Radhakrishna Radhakrishna Radhakrishna Radhakrishna Krishnaradha,” went the chant, then suddenly changed, and in the interstice he heard, almost certainly, the syllables of salvation that had sounded during his trial at Chandrapore.
“Mr. Moore, don’t tell anyone that the Rajah is dead. It is a secret still, I am supposed not to say. We pretend he is alive until after the festival, to prevent unhappiness. Do you want to go still nearer?”
“Yes.”
He tried to keep the boat out of the glare of the torches that began to star the other shore. Rockets kept going off, also the guns. Suddenly, closer than he had calculated, the palanquin of Krishna appeared from behind a ruined wall, and descended the carven glistening water-steps. On either side of it the singers tumbled, a woman prominent, a wild and beautiful young saint with flowers in her hair. She was praising God without attributes—thus did she apprehend Him. Others praised Him without attributes, seeing Him in this or that organ of the body or manifestation of the sky. Down they rushed to the foreshore and stood in the small waves, and a sacred meal was prepared, of which those who felt worthy partook. Old Godbole detected the boat, which was drifting in on the gale, and he waved his arms—whether in wrath or joy Aziz never discovered. Above stood the secular power of Mau—elephants, artillery, crowds—and high above them a wild tempest started, confined at first to the upper regions of the air. Gusts of wind mixed darkness and light, sheets of rain cut from the north, stopped, cut from the south, began rising from below, and across them struggled the singers, sounding every note but terror, and preparing to throw God away, God Himself, (not that God can be thrown) into the storm. Thus was He thrown year after year, and were others thrown—little images of Ganpati, baskets of ten-day corn, tiny tazias after Mohurram—scapegoats, husks, emblems of passage; a passage not easy, not now, not here, not to be apprehended except when it is unattainable: the God to be thrown was an emblem of that.
The village of Gokul reappeared upon its tray. It was the substitute for the silver image, which never left its haze of flowers; on behalf of another symbol, it was to perish. A servitor took it in his hands, and tore off the blue and white streamers. He was naked, broad-shouldered, thin-waisted—the Indian body again triumphant—and it was his hereditary office to close the gates of salvation. He entered the dark waters, pushing the village before him, until the clay dolls slipped off their chairs and began to gutter in the rain, and King Kansa was confounded with the father and mother of the Lord. Dark and solid, the little waves sipped, then a great wave washed and then English voices cried “Take care!”
The boats had collided with each other.
The four outsiders flung out their arms and grappled, and, with oars and poles sticking out, revolved like a mythical monster in the whirlwind. The worshippers howled with wrath or joy, as they drifted forward helplessly against the servitor. Who awaited them, his beautiful dark face expressionless, and as the last morsels melted on his tray, it struck them.
The shock was minute, but Stella, nearest to it, shrank into her husband’s arms, then reached forward, then flung herself against Aziz, and her motions capsized them. They plunged into the warm, shallow water, and rose struggling into a tornado of noise. The oars, the sacred tray, the letters of Ronny and Adela, broke loose and floated confusedly. Artillery was fired, drums beaten, the elephants trumpeted, and drowning all an immense peal of thunder, unaccompanied by lightning, cracked like a mallet on the dome.
That was the climax, as far as India admits of one. The rain