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A House for Mr. Biswas - V.S. Naipaul [36]

By Root 19213 0
trapezoid in plan and not deep. There were no windows and light came only from the two narrow doors at the front and the single door at the back, which opened on to a covered courtyard. The walls, of uneven thickness, curved here and jutted there, and the shop abounded in awkward, empty, cobwebbed corners. Awkward, too, were the thick ugly columns, whose number dismayed Mr Biswas because he had undertaken, among other things, to paint signs on all of them.

He began by decorating the top of the back wall with an enormous sign. This he illustrated meaninglessly with a drawing of Punch, who appeared incongruously gay and roguish in the austere shop where goods were stored rather than displayed and the assistants were grave and unenthusiastic.

These assistants, he had learned with surprise, were all members of the House. He could not therefore let his eyes rove as freely as usual among the unmarried girls. So, as circumspectly as he could, he studied them while he worked, and decided that the most attractive was a girl of about sixteen, whom the others called Shama. She was of medium height, slender but firm, with fine features, and though he disliked her voice, he was enchanted by her smile. So enchanted, that after a few days he would very much have liked to do the low and possibly dangerous thing of talking to her. The presence of her sisters and brothers-in-law deterred him, as well as the unpredictable and forbidding appearances of Seth, dressed more like a plantation overseer than a store manager. Still, he stared at her with growing frankness. When she found him out he looked away, became very busy with his brushes and shaped his lips as though he were whistling softly. In fact he couldn’t whistle; all he did was to expel air almost soundlessly through the lecherous gap in his top teeth.

When she had responded to his stares a few times he felt that a certain communion had been established between them; and, meeting Alec in Pagotes, where Alec was working in Ajodha’s garage once again, as a mechanic and a painter of buses and signs, Mr Biswas said, ‘I got a girl in Arwacas.’

Alec was congratulatory. ‘Like I did say, these things come when you least expect them. What you was fussing so for?’

And a few days later Bhandat’s eldest boy said, ‘Mohun, I hear you got a girl at long last, man.’ He was patronizing; it was well known that he was having an affair with a woman of another race by whom he had already had a child; he was proud both of the child and its illegitimacy.

The news of the girl at Arwacas spread and Mr Biswas enjoyed some glory at Pagotes until Bhandat’s younger son, a prognathous, contemptuous boy, said, ‘I feel you lying like hell, you know.’

When Mr Biswas went to Hanuman House the next day he had a note in his pocket, which he intended to give to Shama. She was busy all morning, but just before noon, when the store closed for lunch, there was a lull and her counter was free. He came down the ladder, whistling in his way. Unnecessarily, he began stacking and restacking his paint tins. Then, preoccupied and frowning, he walked about the store, looking for tins that were not there. He passed Shama’s counter and, without looking at her, placed the note under a bolt of cloth. The note was crumpled and slightly dirty and looked ineffectual. But she saw it. She looked away and smiled. It was not a smile of complicity or pleasure; it was a smile that told Mr Biswas he had made a fool of himself. He felt exceedingly foolish, and wondered whether he shouldn’t take back his note and abandon Shama at once.

While he hesitated a fat Negro woman went to Shama’s counter and asked for flesh-coloured stockings, which were then enjoying some vogue in rural Trinidad.

Shama, still smiling, took down a box and held up a pair of black cotton stockings.

‘Eh!’ The woman’s gasp could be heard throughout the shop. ‘You playing with me? How the hell all-you get so fresh and conceited?’ She began to curse. ‘Playing with me!’ She pulled boxes and bolts of cloth off the counter and

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