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A Clockwork Orange - Burgess, Anthony [42]

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made by the Good or the State you couldn’t imagine them being allowed to take these films without like interfering with what was going on. So it must have been very clever what they call cutting or editing or some such veshch. For it was very real. And when it came to the sixth or seventh malchick leering and smecking and then going into it and the devotchka creeching on the sound-track like bezoomny, then I began to feel sick. I had like pains all over and felt I could sick up and at the same time not sick up, and I began to feel like in distress, O my brothers, being fixed rigid too on this chair. When this bit of film was over I could slooshy the goloss of this Dr. Brodsky from over by the switchboard saying: “Reaction about twelve point five? Promising, promising.”

Then we shot straight into another lomtick of film, and this time it was of just a human litso, a very like pale human face held still and having different nasty veshches done to it. I was sweating a malenky bit with the pain in my guts and a horrible thirst and my gulliver going throb throb throb, and it seemed to me that if I could not viddy this bit of film I would perhaps be not so sick. But I could not shut my glazzies, and even if I tried to move my glaz-balls about I still could not get like out of the line of fire of this picture. So I had to go on viddying what was being done and hearing the most ghastly creechings coming from this litso. I knew it could not really be real, but that made no difference. I was heaving away but could not sick, viddying first a britva cut out an eye, then slice down the cheek, then go rip rip rip all over, while red krovvy shot on to the camera lens. Then all the teeth were like wrenched out with a pair of pliers, and the creeching and the blood were terrific. Then I slooshied this very pleased goloss of Dr. Brodsky going: “Excellent, excellent, excellent.” The next lomtick of film was of an old woman who kept a shop being kicked about amid very gromky laughter by a lot of malchicks, and these malchicks broke up the shop and then set fire to it. You could viddy this poor starry ptitsa trying to crawl out of the flames, screaming and creeching, but having had her leg broke by these malchicks kicking her she could not move. So then all the flames went roaring round her, and you could viddy her agonized litso like appealing through the flames and the disappearing in the flames, and then you could slooshy the most gromky and agonized and agonizing screams that ever came from a human goloss. So this time I knew I had to sick up, so I creeched:

“I want to be sick. Please let me be sick. Please bring something for me to be sick into.” But this Dr. Brodsky called back: “Imagination only. You’ve nothing to worry about. Next film coming up.” That was perhaps meant to be a joke, for I heard a like smeck coming from the dark. And then I was forced to viddy a most nasty film about Japanese torture. It was the 1939-45 War, and there were soldiers being fixed to trees with nails and having fires lit under them and having their yarbles cut off, and you even viddied a gulliver being sliced off a soldier with a sword, and then with his head rolling about and the rot and glazzies looking alive still, the plott of this soldier actually ran about, krovvying like a fountain out of the neck, and then it dropped, and all the time there was very very loud laughter from the Japanese. The pains I felt now in my belly and the headache and the thirst were terrible, and they all seemed to be coming out of the screen. So I creeched:

“Stop the film! Please, please stop it! I can’t stand any more.” And then the goloss of this Dr. Brodsky said: “Stop it? Stop it, did you say? Why, we’ve hardly started.” And he and the others smecked quite loud.

A Clockwork Orange

5

I do not wish to describe, brothers, what other horrible vesh-ches I was like forced to viddy that afternoon. The like minds of this Dr. Brodsky and Dr. Branom and the others in white coats, and remember there was this devotchka twiddling with the knobs

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