A Buyers Market - Anthony Powell [49]
As they skirted the wall, Sillery and his companion, by contrast remarkably spruce, had almost the appearance of a pair of desperadoes on their way to commit an act of violence, and, on reaching the place where the dark young man was standing, the Colonel certainly seemed to get rid of the women without much ceremony, treating them almost as a policeman might peremptorily “move on” from the corner of the street female loiterers of dubious complexion. The taller of the two girls was largely built, with china-blue eyes and yellow hair, holding herself in a somewhat conventionally languorous style: the other, dark, with small, pointed breasts and a neat, supple figure. The combined effect of their beauty was irresistible, causing a kind of involuntary pang, as if for a split-second I loved both of them passionately; though a further survey convinced me that nothing so disturbing had taken place. The girls composedly allowed themselves to be dislodged by Colonel Budd and Sillery: at the same time remaining on guard in a strategic position at a short distance, talking and laughing with each other, and with people in the immediate neighbourhood: evidently unwilling to abandon entirely their original stations vis-à-vis the young man.
The Colonel, imperceptibly inclining his neck in an abrupt gesture suggesting almost the sudden suppression of an unexpected eructation, presented Sillery, not without deference to this rather mysterious figure, regarding whom I had begun to feel a decided curiosity. The young man, smiling graciously, though rather shyly, held out a hand. Sillery, grinning broadly in return, made a deep bow that seemed, by its mixture of farce and formality, to accord perfectly with the cut of his evening clothes, in their implication of pantomime or charade. However, fearing that absorption in this scene, as reflected in the looking-glass, might have made me seem inattentive to Mr. Deacon’s exposition of difficulties experienced in contending with his household, I made further inquiries regarding Barnby’s status as a painter. Mr. Deacon did not warm to this subject. I found when I knew him better that this luke-warm attitude was not to be attributed entirely to jealousy he might feel towards Barnby’s success, but rather because, finding his own views on the subject so opposed to contemporary opinion as to be in practice untenable, he preferred to close his eyes to the existence of modern painting, just as formerly he had closed his eyes to politics and war. Accordingly, I asked about the nature of Barnby’s objections to Gypsy Jones.
“When Gypsy and I were first acquainted,