A Bend in the River - V.S. Naipaul [92]
To write about the occasion in the manner of my pornographic magazines would be more than false. It would be like trying to take photographs of myself, to be the voyeur of my own actions, to reconvert the occasion into the brothel fantasy that, in the bedroom, it ceased to be.
I was overwhelmed, but alert. I did not wish to lose myself in the self-regard and self-absorption of that fantasy, the blindness of that fantasy. The wish that came to me—consuming the anxiety about letting myself down—was the wish to win the possessor of that body, the body which, because I wished to win its possessor, I saw as perfect, and wanted continuously, during the act itself, to see, holding myself in ways that enabled me to do so, avoiding crushing the body with my own, avoiding that obliteration of sight and touch. All my energy and mind were devoted to that new end of winning the person. All my satisfactions lay in that direction; and the sexual act became for me an extraordinary novelty, a new kind of fulfilment, continuously new.
How often before, at such moments, moments allegedly of triumph, boredom had fallen on me! But as a means of winning, rather than the triumph in itself, the present act required constant alertness, a constant looking outward from myself. It wasn’t tender, though it expressed a great need for tenderness. It became a brute physical act, an act almost of labour; and as it developed it became full of deliberate brutality. This surprised me. But I was altogether surprised by my new self, which was as far from the brothel man I had taken myself to be, with all his impulses to feebleness, as this act was from the brothel act of surrender, which was all I had so far known.
Yvette said, “This hasn’t happened to me for years.” That statement, if it was true, would have been a sufficient reward; my own climax was not important to me. If what she said was true! But I had no means of gauging her response. She was the experienced one, I was the beginner.
And there was a further surprise. No fatigue, no drowsiness overcame me at the end. On the contrary. In that room with the window panes painted white, a white that now glowed with the late afternoon light, in that heated room, at the end of one of our heavy, hot days, sweating as I was, with a body slippery with sweat, I was full of energy. I could have gone and played squash at the Hellenic Club. I felt refreshed, revitalized; my skin felt new. I was full of the wonder of what had befallen me. And awakening from minute to minute to the depth of my satisfactions, I began to be aware of my immense previous deprivation. It was like discovering a great, unappeasable hunger in myself.
Yvette, naked, wet, unembarrassed, her hair lank, but already herself again, her flush gone, her eyes calm, sat with crossed legs on the edge of the bed and telephoned. She spoke in patois. It was to her house servant: she was coming home right away: he was to tell Raymond. She dressed and made up the bed. This housewifely attention reminded me—painfully, already—of attentions like this that she gave elsewhere.
Just before she left the bedroom she stopped and kissed me briefly on the front of my trousers. And then it was over—the corridor, Metty’s dreadful kitchen, the landing, the yellowing afternoon light, the trees of back yards, the dust in the air, the cooking smoke, the active world, and the sound of Yvette’s feet pattering down the external staircase. That gesture, of kissing my trousers, which elsewhere I would have dismissed as a brothel courtesy, the gesture of an overtipped whore, now moved me to sadness and doubt. Was it meant? Was it true?
I thought of going to the