A Bend in the River - V.S. Naipaul [39]
Normally at the van der Weyden the hotel boys drooped around. The old ones, with their squashed and sour little faces, sat on their stools and expected only to be tipped, wearing their shorts and very big aprons like a pensioner’s uniform (and sometimes, in their great stillness, hiding their arms below their aprons and looking like men at the barber’s); the younger, post-independence boys wore their own clothes and chatted behind the counter as though they were customers. Now they were all alert and jumping about.
I asked for a cup of coffee, and no cup of coffee ever came to me more quickly at the van der Weyden. It was a tiny old man who served me. And I thought, not for the first time, that in colonial days the hotel boys had been chosen for their small size, and the ease with which they could be manhandled. That was no doubt why the region had provided so many slaves in the old days: slave peoples are physically wretched, half-men in everything except in their capacity to breed the next generation.
The coffee came fast, but the stainless steel jug the old man brought me had only a stale-looking trickle of powdered milk. I lifted the jug. The old man saw before I could show him, and he looked so terrified that I put the jug down and sipped the awful coffee by itself.
The men in the bar had come to do a job. They—or their fellows—had probably already begun. They knew they were dramatic figures. They knew I had come to see what they looked like; they knew the boys were terrified of them. Until this morning those hotel servants had been telling one another stories about the invincibility of their people in the forest; and those hotel servants were men who, given an uprising in the town, would have done terrible things with their small hands. Now, so quickly, they had become abject. In one way it was good; in another way it was pitiful. This was how the place worked on you: you never knew what to think or feel. Fear or shame—there seemed to be nothing in between.
I went back to the shop. It was a way of carrying on, and a way of passing the time. The flamboyant trees were in new leaf, feathery, a delicate green. The light changed; shadows began to angle across the red streets. On another day at this time I would have been starting to think of tea at the flat, squash at the Hellenic Club, with cold drinks afterwards in the rough little bar, sitting at the metal tables and watching the light go.
When Metty came in, just before four, closing time, he said, “The white men came this morning. Some of them went to the barracks and some of them went to the hydro.” This was the hydroelectric station, some miles upriver from the town. “The first thing they did at the barracks was to shoot Colonel Yenyi. It was what the President asked them to do. He doesn’t play, this new President. Colonel Yenyi was running out to meet them. They didn’t let him talk. They shot him in front of the women and everybody. And Iyanda, the sergeant—he bought that bolt of curtain material with the apple pattern—they shot him too, and a few other soldiers as well.”
I remembered Iyanda with his overstarched uniform, his broad face, and his smiling, small, malicious eyes. I remembered the way he had rubbed the palm of his hand over the cloth with the big red apples, the proud way he had pulled out the rolled-up notes to pay—such a small sum, really. Curtain material!