A Bend in the River - V.S. Naipaul [130]
Portraits, maxims, occasional statues of the African madonna—they continued all the way to the hotel. If I had come to the capital fresh from our town I would have felt choked. But after Europe, and after what I had seen of the country from the air, and still with my sense of the flimsiness of the capital, my attitude was different, and I was surprised by it. There was to me an element of pathos in those maxims, portraits and statues, in this wish of a man of the bush to make himself big, and setting about it in such a crude way. I even felt a little sympathy for the man who was making such a display of himself.
I understood now why so many of our later visitors at the Domain found our country, and our awe of the President, comic. What I saw on the road from the airport didn’t seem comic, though. I felt it more as a shriek. I had just come from Europe; I had seen the real competition.
Overnight I had changed one continent for another, and this odd sympathy for the President, this vision of the impossibility of what I thought he was trying to do, came just at the moment of arrival. The sympathy wore off as the town became more familiar and I began to see it as a larger version of my own town. The sympathy, in fact, began to wear off when I got to the new big hotel (air-conditioned, shops in the lobby, a swimming pool no one was using) and found it full of secret police. I can’t imagine that they had much to do there. They were there to show themselves to visitors. And also because they liked being in the smart new hotel; they wanted to show themselves to visitors in that modern setting. It was pathetic; or you could make a joke of it. But those men weren’t always funny. Already, then, the tensions of Africa were returning to me.
This was the President’s city. This was where he had grown up and where his mother had worked as a hotel maid. This was where, in colonial days, he had got his idea of Europe. The colonial city, more extensive than ours, with many residential areas rich with decorative, sheltering trees now fully grown, was still to be seen. It was with this Europe that, in his own buildings, the President wished to compete. The city, while decaying in the centre, with dirt roads and rubbish mounds just at the back of the great colonial boulevards, was yet full of new public works. Large areas near the river had been turned into Presidential reserves—palaces with great walls, gardens, state houses of various sorts.
In the Presidential gardens near the rapids (the rapids here matching ours, a thousand miles upriver), the statue of the European explorer who had charted the river and used the first steamer had been replaced by a gigantic statue of an African tribesman with spear and shield, done in the modern African style; Father Huismans would have had no time for it. Beside this statue was a smaller one of an African madonna with a bowed, veiled head. Nearby were the graves of the earliest Europeans: a little dead settlement, out of which it had all grown, out of which our town had been seeded. Simple people, with simple trades and simple goods, but agents of Europe. Like the people who came now, like the people on the airplane.
The rapids made a constant, unchanging noise. The water hyacinths, “the new thing in the river,” beginning so far away, in the centre of the continent, bucked past in clumps and tangles and single vines, here almost at the end of their journey.
The next morning I went back to the airport, to take the upcountry plane. By now I was more in tune with the place, and the spread of the capital made a greater impression