A Bend in the River - V.S. Naipaul [101]
I sat in the sitting room. She came and went. Those moments were utterly delicious to me. I was stirred by every housewifely gesture; I loved the ordinariness of her clothes. Her movements in her house were brisker, more assertive, her French speech (with Raymond now at the table) more precise. Even while (all anxiety gone) I was listening to Raymond, it was a thrill to me to distance myself from Yvette, to try to see her as a stranger, and then to look through that stranger to the other woman I knew.
On the second or third occasion like this I made her drive back with me to the flat. No subterfuge was necessary: immediately after eating, Raymond had gone back to his study.
Yvette had thought I had only wanted to go for a drive. When she understood what I had in mind she made an exclamation, and her face—so mask-like and housewifely at the dinner table—was transformed with pleasure. All the way to the flat she was close to laughter. I was surprised by her reaction; I had never seen her so easy, so delighted, so relaxed.
She knew she was attractive to men—those visiting scholars drove home that message. But to be desired and needed again after all that had happened during our long afternoon seemed to touch her in a way she hadn’t been touched before. She was pleased with me, absurdly pleased with herself, and so companionable that I might have been an old school friend rather than a lover. I tried to put myself in her place, and just for a while I had the illusion of entering her woman’s body and mind and understanding her delight. And I thought then, knowing what I did of her life, that I had been given an idea of her own needs and deprivations.
Metty was in. In the old days, following old manners, I had taken care to keep this side of my life secret from him, or at any rate to appear to be trying to do so. But now secrecy wasn’t possible and didn’t seem to matter. And we never worried about Metty in the flat again.
What was extraordinary that evening became part of the pattern of many of the days we were together. The dinner with Raymond in the house, or the after-dinner gathering with Raymond, occurred in a kind of parenthesis, between the afternoon in the flat and the late evening in the flat. So that in the house, when Raymond appeared, I was able to listen with a clear mind and real concern to whatever he had to say.
His routine didn’t change. He tended to be working in his study when I—and visitors, if there were visitors—arrived. He took his time to appear, and in spite of his absent-minded air his hair was always freshly damped, nicely combed backwards, and he was neatly dressed. His exits, when they were preceded by a little speech, could be dramatic; but his entrances were usually modest.
He liked, especially at after-dinner gatherings, to begin by pretending to be a shy guest in his own house. But it didn’t take much to draw him out. Many people wanted to hear about his position in the country and his relations with the President; but Raymond no longer talked about that. He talked instead about his work, and from that he moved on to general intellectual topics. The genius of Theodor Mommsen, the man Raymond said had rewritten the history of Rome, was a favourite theme. I grew to recognize the way Raymond built up to it.
He never avoided making a political comment, but he never raised the subject of politics himself and never became involved in political argument. However critical our guests were of the country, Raymond allowed them to have their say, in that way he had of hearing out an interruption.
Our visitors were becoming increasingly critical. They had a lot to say about the cult of the African madonna. Shrines